Oráculo

Science of Signs II: Oráculo

World premiere: January 26th, 2018 at 20:00 in the frame of ID festival.
Additional shows: January 27th & 28th, 2018 at 20:00.
The performances will take place at Ballhaus Ost, Pappelallee 15, Berlin.

Translating sacred scriptures into contemporary stage directions, The progressive wave continue with the development of their innovative performative language and forming unique dramaturgical modules to examine overlaps between ancient teachings.

Making use of written and signed languages, this performative hybrid is a journey into the mysterious, traveling between the now, the ancient and the futuristic.

Oráculo is the second chapter in the The progressive wave’s performance trilogy Science of Signs. This theatric triptych is exploring the relations between science, performance and philosophy.

Concept, Direction, Choreography, Sound-Score Design: Gal Naor, Matan Zamir
Stage, Light, Video Design, Technical Direction: Marc Jungreithmeier
Performance: Jessica Comis, Louis Edler, Iyar Elezra, Gal Naor
Paper, Rope, Textile Design: Ori Efrat
Costume Design: Don Aretino
Props & Makeup: Hermes Pittakos
Outside Eye: Sigal Zouk
Soundscore Editing: Daphna Keenan
Sign-Language Consultant: Ace Mahbaz, Rita Mazza
Production Management: M.i.C.A – Movement in Contemporary Art
Director’s assistant: Dana Scherer
Production assistants: Lulia Postelnicu, Aleksander Ceresnjes, Sveta Azriel

Oráculo is a production of The progressive wave, in co-production with ID Festival Berlin and in collaboration with Theater Thikwa. With the financial support of the Federal Government Commissioner for Culture and the Media and the Szloma Albam Foundation. With the kind support of Ballhaus Ost, Sasha Waltz & Guests, Polyphony, Theaterhaus Mitte and Heilehaus (Berlin).

Photos: Neal Franc

Lights & Vessels

Science of Signs I: Lights & Vessels
a dance lecture performance by the progressive wave

In a mindful laboratory, a sign language interpreter operates a mystery: What is the language above all languages and what universal messages are echoing through it?

Lights & Vessels is the first chapter in the progressive wave’s performance trilogy Science of Signs. This narrated solo piece aims to uncover a thought provoking outlook on the teachings of Kabbalah wisdom, suggesting an up to date interpretation of the sacred tongue.

A scientific solo piece about the metaphysics of love.

Concept/Choreography/Performance: Gal Naor
Co-artsitic Direction/Dramaturgy: Matan Zamir
Stage/Light/Video Design and Technical Direction: Marc Jungreithmeier
Original Music Composition: Ori Alboher
Costume Design: Don Aretino
Production Management: Ann-Christin Görtz
Text Transcription: Bennet Togler 
Production Assistant: Lilla Roma Weisselberg, Jessica Comis
Promotion Photography and Video Teaser: Shira Kela

Lights & Vessels is a production of The progressive wave in co-production with ID Festival (Berlin) and with the support of Tanzlabor 21 (Frankfurt), Radialsystem V, Sasha Waltz & Guests, Heilehaus and Diamond Freddie (Berlin).

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Photos: Ruthe Zuntz 

 

Promotional videos

bodieSLANGuage

Mixing contemporary dance, Sign Language and pop culture, three choreographers explore the expression possibilities of the hands with a group of eight international Deaf and hearing performers.

A saturated audiovisual journey; a celebration of cultural manifestations; a multilingual landscape, quoting, mixing and transforming cultural codes, highlighting the “queer”, the “other” and the alternative.

bodieSLANGuage is a production by the Berlin based choreographers duo matanicola (Nicola Mascia & Matan Zamir) and the Sign Language interpreter and performance artist the progressive wave (Gal Naor), who collaborate for the first time in this interdisciplinary dance performance.

Concept / Direction / Choreography: Nicola Mascia, Gal Naor, Matan Zamir
Performance: Bráulio Bandeira, Jan Michael Kress, Laura Levita Valyte, Maureen Lopez Lembo / Yaara Dolev, Nicola Mascia, Gal Naor, Jija Sohn, Simo Vassinen / Manuel Perez Torres 
Soundscore Design: Tomer Rosenthal
Light Design: Avi Yona Bueno (Bambi)
Audio / Visual Interaction: Safy Etiel
Costume Design: Saša Kovacevic
Technical Direction: Fabian Bleisch
Production Direction: Annett Hardegen
Public Relations: Nora Gores
Photography: Benedikt J. Feldmann

A production of matanicola and the progressive wave in co-production with Theater Freiburg and Ballhaus Ost, Berlin. Funded by the Hauptstadtkulturfonds, Berlin. With the friendly support of TanzfabrikDock 11Tess-Relay-DiensteEdelmat and Sniper, Berlin.

Photos by Benedikt J. Feldmann & Olga Khristolyubova

INTERFERENCE

In a seductive and oppressive world that promises everything but fulfils nothing, in an attention deficit disorder era, where T.V. stars dwell at their studio’s waiting room, compelled under the tyranny of the omnipresent gaze. It seems that the power balance has changed when the daily broadcasting schedule has been dripped into their drink.

In pragmatics, ‘Interference’ is a notion describing a phenomenon when rules of one language interfere with another.

 INTERFERENCE is a performance piece exploring the relations between the media and the individual, between the public and the private.

Concept/Direction/Choreography
Gal Naor
Performance
Hila Gross
Ana Weisselberg
Tchelet Weisstub
Maayan Mozess
Gal Naor
Yoel Ron
Stage Design
Daniel Rauchwerger
Costume Design
Karni Cadan
Sound Design
Yaniv Schonfeld
Maya Felixbrodt
Production
Hila Spector
Totur
Dr. Daphna Ben-Shaul

 Thanks to: Dr. Galia Hirch, Dr. Efrat Mishori, Maya Levy, Iris Erez, Ira Avneri
INTERFERENCE is the final project of Gal Naor’s four year program of performance studies at the School of Visual Theater in Jerusalem.

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